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INDIE
ZINE

Cut & Paste Aesthetic

Born in photocopied punk fanzines and riot grrl newsletters. Deliberate roughness, misaligned elements, rubber stamps, wavy underlines, and typewriter fonts - the handmade made digital.

Published! Volume 01 Approved
1970s
Origins · Punk
Tilt · Typical
DIY
Core Ethos
Feature · Vol. 01
Why Helvetica is Boring
A manifesto against corporate type. Read it and get angry (in a productive way).
Events
Risograph Print Night
Saturday. Bring your own artwork. FREE entry.
RSVP!
Opinion
Perfection is Overrated
The copy machine smudge is the texture. The off-registration is the aesthetic.
Issue No. 7
Protest Posters of the 70s
How a photocopier and a stapler changed graphic design forever.
"Good design is obvious. Great design Zine design is invisible - until you see it on a telephone pole at 2am."
- Anonymous, probably on a flyer
01

Colour System

Ink black + photocopy cream + three primary risograph colours. No gradients. No pastels. No hex codes that need a calculator.
Ink Black
#111111
Type, borders
Newsprint
#FFFDE7
Background
Riso Red
#FF4500
Accent, stamps
Riso Yellow
#FFD600
Highlight, CTA
Riso Blue
#1A237E
Heading accent
Riso Green
#1B5E20
Secondary stamp
02

Type System

Abril Fatface for the headline shout. Playfair italic for pull quotes. Special Elite for the typewriter body. Space Mono for labels and metadata.
Masthead / Shout ZINE! 72px · Abril Fatface
Maximum impact
H1 · Headline Why Rules Are for Breaking 35px · Abril Fatface
Wavy underline accent
Pull Quote "The photocopy smudge is the texture." 22px · Playfair Italic
Body · Typewriter Body text in Special Elite - it mimics a manual typewriter with slightly irregular baseline and character spacing. It gives everything the feeling of being individually typed and genuinely meant. 14px · Special Elite
1.75 line-height
Label / Metadata Vol. 07 · Issue 3 · Risograph Print · Limited Run 10px · Space Mono
+0.12em tracking
03

Zine Layout Techniques

Three techniques that define the zine aesthetic: rotation, tape, and stamp.
Technique 01
Element Rotation
Cards, headers, and stamps are slightly rotated (0.5°–3°) to suggest physical placement rather than digital precision.
Slightly Off-Grid
transform: rotate(-1.5deg)
Other Direction
transform: rotate(0.8deg)
CSS: transform:rotate(-1.5deg)
Technique 02
Tape & Pins
Yellow tape strips simulate physical adhesive tape holding items to a bulletin board or page. Positioned absolutely above the element.
Taped-up content. The yellow strip sits above the element, partially overlapping the border.
Position: absolute top:-8px
Technique 03
Rubber Stamps
Stamp elements are bold, bordered text blocks set in Space Mono with a rotation - like a real rubber stamp was pressed at an angle.
URGENT! Approved Issue #7 Limited
Border:3px solid + rotate(-4deg)
04

UI Components

Buttons
Form Fields
Tags & Progress
Design Urgent New Archive Featured
Print Run Progress
Issue 01 82%
Issue 02 55%
Issue 03 30%
Highlighters

Yellow highlight for key phrases, pink highlight for emphasis, blue highlight for references.

05

Navigation

06

Cards

FEATURED
Essay · Vol. 01

Against Perfection

The photocopy smudge is texture. The off-registration is aesthetic. The mistake is the character. Stop apologising for your process.

J. Ramone · 1977 Read →
Review

Risograph Printing for Beginners

The most beautiful reproduction method ever invented for people who can't afford a proper press. Highly recommended.

Print Club · 2024 Read →
Archive
History

The Xerox Machine as Art Tool

How a boring revolutionary office appliance became the most democratic art-making device of the 20th century.

Distro Notes Read →
Opinion

Helvetica Should Be Illegal

A passionate and entirely unreasonable argument for typewriter fonts and hand-lettering in all contexts.

Hot Take Read →
URGENT!
Manifesto

Make Things. Print Things. Distribute Things.

The means of production are now a laptop and a library printer. There are no excuses left not to publish.

Core Values Read →
Resource

Free Zine Templates

Pre-folded, pre-measured layouts for A4 and Letter paper. Print, fold once, staple twice. That's a zine.

Free download Get →
07

Publication Layout

Vol. 07, Issue 3 · Risograph Print

Make Noise
Not Brands

A special issue on independent publishing, self-distribution, and the radical act of saying something without asking permission first.

Also Inside
Why Risograph Beats Offset
Interview
Talking to a Distro Legend
How-To
Make a Zine in 45 Minutes
482
Copies Printed
7
Issues So Far
Free
Or Pay What You Want
DIY
Always
08

Core Principles

✂️

Deliberate Roughness

Tiny rotations (0.5°–2°), slightly off-centre stamps, and thick borders signal handcraft. Pixel-perfect alignment destroys the zine aesthetic entirely.

🖨️

Typewriter Body Text

Special Elite or Courier mimics the manual typewriter - the original self-publishing tool. It implies that every word was typed individually, intentionally, on a physical machine.

📮

Rubber Stamp as UI

Status badges, tags, and labels should look like rubber stamps - thick border, rotated, Space Mono caps. They add to the impression that a real human marked this document.

🖍️

Highlighter, Not Colour

Instead of coloured type, use highlight spans with low-opacity background. It looks like someone read the printed page and marked it up by hand. More personal than colour.